Usuario:El javo/Taller Anexo:Videografia de Madonna
Videografía de  | ||
|---|---|---|
 | ||
| Información general | ||
| ↙Vídeos musicales | 66 | |
| ↙DVDs en vivo | 9 | |
| ↙Compilaciones de vídeo | 4 | |
| ↙Video en formato single | 4 | |
| ↙Documentales | 2 | |
| Notes | ||
La videografía de la cantante estadounidense Madonna consiste de 66 videos musicales, nueve DVDs en vivo, cuatro compilaciones de vídeo, cuatro vídeos en formato single y dos documentales. En 1982, Madonna firmó un contrato de grabación con Sire Records, sello discográfico dependiente de Warner Bros. Records, y lanzó sus dos primeros singles antes de lanzar su album debut .[1] Madonna's first music video was for the single "Everybody", for which Sire Records created a low budget, in-house video.[2] Her first video to receive attention on MTV was "Borderline" which was followed by "Lucky Star".[3] In 1984 Madonna released "Like a Virgin", the lead single from her sophomore album of the same name. The video portrayed Madonna roaming through the streets of Venice and lying in a white wedding dress.[4] The same year she also released the follow-up single, "Material Girl".[5] Madonna's third studio album, True Blue, was released in 1986. The video for the lead single, "Live to Tell", ushered in a new image for Madonna.[6] With the video of "True Blue", Madonna's impact on MTV and popular music was established when a contest entitled Making My Video, was held to create a music video for the song.[7] "La Isla Bonita" and "Who's That Girl", both released in 1987, portrayed Madonna's fascination with Hispanic culture and the inclusion of religious symbolism.[8] In 1989 Madonna signed a $5 million deal with Pepsi to use her song "Like a Prayer" in one of their commercial advertisements. Madonna also wanted to use the commercial for the global debut of the song and her similar titled studio album. However, when Madonna released the actual music video of the song it faced strong reaction from religious groups and media. The video portrayed Madonna dancing in front of burning crosses, receiving stigmata, kissing a black saint and having sex with him in a church altar.[9] Her other notable videos released that year included "Express Yourself" and "Cherish" which were critically appreciated for their positive feminist themes.[10]
In 1990 Madonna released the song "Vogue", which portrayed the underground gay subculture dance routine called voguing, as well as the glamorous look of Hollywood stars.[11] The same year she released "Justify My Love", whose video featured Madonna in an erotic dream containing sadomasochism, voyeurism and bisexuality. MTV deemed the video too explicit and banned it from airing on their channel.[12] In 1992 Madonna released her fifth studio album, Erotica. The similar titled lead single's video portrayed Madonna as a masked dominatrix.[13] The video of "Deeper and Deeper" portrayed Madonna as Andy Warhol's protégé Edie Sedgwick.[14] The video for "Bad Girl" portrayed a murdered Madonna. In 1994 she released "Secret", the lead single from her sixth studio album, Bedtime Stories. The video showed scenes of rebirth, transvestites and damnation, which are interspersed with Madonna walking down a street to her home.[15] In 1995 she released "Bedtime Story" from the same album. It portrayed a dream sequence, inspired by paintings of artists such as Frida Kahlo and Remedios Varo while incorporating new age surrealistic images.[16] In 1998, Madonna released her seventh studio album, Ray of Light. The music video for the lead single, "Frozen", ushered in a new image for her with the incorporation of Indian influences.[17] The video for the title single was a high-speed one, portraying people going through their daily lives, with images of Madonna in black denim dancing to the music.[18] Her fascination and incorporation of South Asian culture continued with the video of "Nothing Really Matters" (1999) where she appeared as a geisha.[19]
In 2000 Madonna released her eighth studio album, Music. The title single featured her in the role of a pimp while changing her image to that of a glamorous cowgirl.[20] The video for the last single, "What It Feels Like for a Girl", portrayed Madonna going around the city in a car, accompanied by an old woman, and vandalising as well as committing crimes.[21] This fascination for violence continued with the music videos of "Die Another Day" (2002) and "American Life" (2003), the lead single from her similar titled ninth studio album.[22] The video for the latter, shot pre-Iraq war of 2003, portrayed a military-chic fashion show.[23] Madonna's tenth studio album, Confessions on a Dance Floor, was released in 2005. The video for the lead single, "Hung Up", was a tribute to John Travolta and his movies.[24] Her eleventh studio album, Hard Candy, was released in 2008; its lead single, "4 Minutes", portrayed her as a superhero, tackling physical obstacles.[25] Her most recent music video for the song "Celebration" was critiqued as a return to her dance roots.[26]
Madonna has worked with many successful directors and produced music videos that are considered by some as works of art. Her videos have depicted controversial subjects such as teen pregnancy, racism, religion, sex, and violence. In their book, The Madonna Companion: Two Decades of Commentary, authors Allan Metz and Carol Benson stated that more than any other recent pop star, Madonna has used MTV and music videos to establish her popularity and to enhance her recorded work. According to them:
"It's hard to imagine discussing many of her songs without discussing any of the related videos. Most of the controversy surrounding her most-discussed songs, notably "Like a Prayer", has to do with the video images created to promote the song, rather than the song itself. In fact, many of her seem more significant than they are because of the impact of the accompanying videos."[27]
Madonna ranked number-one on VH1's "50 Greatest Women Of The Video Era" show list.[28]
Vídeos musicales[editar]
1982–1989[editar]
| Año | Vídeo musical | Director(es) | Descripción |
|---|---|---|---|
| 1982 | "Everybody" | Ed Steinberg[29] | Madonna cantando con un grupo de bailarines sobre un fondo de neón.[2] |
| 1983 | "Burning Up" | Steve Barron[29] | El vídeo retrata a Madonna, con un vestido blanco, retorciéndose en el camino, cantandole la canción a su amante.[30] |
| "Holiday" | Desconocido | El vídeo jamás fue estrenado debido a su mala calidad. | |
| 1984 | "Borderline" | Mary Lambert[29] | El vídeo retrata a Madonna como una bailarina hispana en las calles. Ella deja a su novio para estar con un fotógrafo, pero en última instancia, lo rechaza y vuelve a su novio.[31] |
| "Lucky Star" | Arthur Pierson[29] | El vídeo retrata a Madonna en su imagen de "boy toy", bailando delante de un fondo blanco, flanqueada por dos bailarines.[32] | |
| "Like a Virgin" | Mary Lambert[29] | En el video, Madonna anda por las calles de Venecia. Se muestra en habitaciones con un vestido de novia blanco, en el clip se intercalan imágenes de un león y un hombre que lleva una máscara de león. El vídeo se enfrentó con la negativa reacción de las organizaciones familiares y de los trabajadores sociales, quienes se quejaron de que promovía el sexo fuera del matrimonio y rompía los valores de la familia, ofreciendo una imagen desagradable de Madonna como una "prostituta".[33] | |
| 1985 | "Material Girl" | Pictured as a video-within-a-video, Madonna sang the song dressed up in a pink sleeveless gown, flanked by boys in black coats. The video imitated Marilyn Monroe's version of "Diamonds Are a Girl's Best Friend" from the 1953 film Gentlemen Prefer Blondes. The video and the song together culminated in Madonna's nickname as "material girl" in mainstream media.[34] | |
| "Crazy for You" | Harold Becker[29] | Made with clips from the movie Vision Quest[35] | |
| "Into the Groove" | Susan Seidelman[29] | Made with film clips from Desperately Seeking Susan.[29] | |
| "Gambler" | Harold Becker[29] | Made with clips from the movie Vision Quest[35] | |
| "Dress You Up" | Danny Kleinman[29] | The video was released with footage from The Virgin Tour.[35] | |
| 1986 | "Live to Tell" | James Foley[36] | The video portrays Madonna with a new pale and subtle look, her shoulder-length hair was wavy and golden blond. She got rid of her junk jewellery and adopted a pale make-up look with shoulder-length golden locks. The look was again inspired by Monroe.[37] Footage from the movie At Close Range were interspersed, with Madonna appearing to speak for the character.[38] |
| "Papa Don't Preach" | In this video, Madonna adopted the gamine look portrayed by Shirley MacLaine and Audrey Hepburn during the 1950s.[39] She portrays a tomboy who wants to tell her father about her pregnancy. Interspersed with scenes of a sexier Madonna with a toned body, wearing a black bustier.[40] | ||
| "True Blue" | The American version from MTV's Make My Video Contest was directed by Ángel Gracia and Cliff Guest, where Madonna does not appear. The international release directed by Foley portrays Madonna and her friends in an all-blue diner.[41] | ||
| "Open Your Heart" | Jean-Baptiste Mondino[29] | The video paid homage to actresses Liza Minnelli and Marlene Dietrich. Madonna played an exotic dancer in a peep-show club who befriends a little boy and escapes from there. The video was negatively criticised, because it portrays the entry of a child in a strip club.[42][43] | |
| 1987 | "La Isla Bonita" | Mary Lambert[29] | Madonna played a woman living in a Spanish barrio. She portrays two characters: a boyishly-dressed Catholic woman and a colorful Flamenco dancer. The video portrays Madonna's fascination with Hispanic culture and the inclusion of religious symbolism.[44] |
| "Who's That Girl" | Peter Rosenthal[45] | The video portrays Madonna dressed in Spanish style as a young lady in search of a treasure. It included scenes from the film of the same name.[46] | |
| "Causing a Commotion" | Unknown | A live performance from the Who's That Girl World Tour in Turin, Italy. Another version included the performance at the 1987 MTV Video Music Awards.[29] | |
| "The Look of Love" | James Foley[29] | Compilation video of clips from Who's That Girl[35] | |
| 1989 | "Like a Prayer" | Mary Lambert[29] | The video portrays Madonna to be a witness of an interracial murder and goes to pray in a church. Various scenes like Madonna kissing a black saint, receiving stigmata, scantily dressed and dancing in front of burning crosses are shown. In the end, she helps to free the man who was falsely accused of murder.[47] Religious groups protested that the video was a blasphemous use of Christian imagery. The Pope banned Madonna from appearing in Italy and urged a national boycott of Pepsi. The latter withdrew their contract with Madonna while letting her keep the $5 million.[9] |
| "Express Yourself" | David Fincher[29] | Inspired by the film Metropolis, the video portrays Madonna as the leader of a company, and later as a glamorous lady and chained masochist. Muscular men act as her workers. In the end, Madonna picked one of them to be her date.[48] The music video for "Express Yourself" was the most expensive video at the time of its release with production cost of $5 million.[49] | |
| "Cherish" | Herb Ritts[29] | Madonna played on the beach with mermen and merchild. In the end she falls in love with one of the mermen.[50] | |
| "Dear Jessie" | Derek Hayes[29] | An animated video featuring Madonna as an animated fairy. The video was released only outside the United States.[51] | |
| "Oh Father" | David Fincher[29] | A black-and-white video portraying the death scene of a young mother and the tempestuous relationship that ensues between the husband and the daughter. Years later Madonna, as the grown-up daughter, reconciles with the father at the woman's grave.[52] |
1990–1999[editar]
| Year | Music video | Director(s) | Notes |
|---|---|---|---|
| 1990 | "Vogue" | David Fincher[29] | Black-and-white video recreating the glamorous look of old Hollywood with men in suits and Madonna dressed in gowns.[53] It also displayed the dance form called vogue.[11] The video was praised for making the sex and gender roles ambiguous in its portrayal of people, and for bringing an underground culture in the mainstream limelight.[54] |
| "Justify My Love" | Jean-Baptiste Mondino[29] | Black-and-white video portraying Madonna coming to a hotel room to satisfy her sexual fantasy. Scenes of sadomasochism, voyeurism and bisexuality are also portrayed.[12] Critics were polarized over the video's content with some of them applauding Madonna's boldness while others took the brazenness of the video negatively. Madonna called the video "a celebration of sex".[12] She released the video as a video single and it went on to become the best-selling music video single of all time, earning a four-times platinum certification from the Recording Industry Association of America.[55] | |
| 1992 | "This Used to Be My Playground" | Alek Keshishian[29] | The video is a walkthrough of memories. While Madonna melancholically sings about the old days, the viewer flips through a photo album which feature moving images of a singing Madonna as well as images from the movie A League of Their Own.[56] |
| "Erotica" | Fabien Baron[29] | Madonna is portrayed as a masked dominatrix with a golden tooth and a whip. Montages of sexual imagery are shown that were shot during the photography of Madonna's Sex book. It was a montage of sexually charged images, designed to shock the audience. MTV put the video into heavy rotaion, but only after midnight.[13] | |
| "Deeper and Deeper" | Bobby Woods[29] | Madonna portrays Warhol protégé Edie Sedgwick. She goes to a disco and looks for something which ends with a man releasing the balloons she was carrying. Interspersed with scenes of Madonna being photographed and she and her friends watching a man dancing in underwear.[14] | |
| 1993 | "Bad Girl" | David Fincher[29] | The video opens and closes with shots of a murdered Madonna, who, having lived a life of promiscuous sex, presumably joins her dead lover and guardian angel, portrayed by actor Christopher Walken.[57] |
| "Fever" | Stéphane Sednaoui[29] | The video portrays Madonna as a Balinese idol with red hair and another shot of her being silver painted. Interspersed with scenes of a man in thongs, his body painted gold.[58] | |
| "Rain" | Mark Romanek[29] | The video portrays Madonna with short cropped, black hair, recording the song in a studio. Interspersed with scenes of Madonna kissing a man behind a glass on which water falls.[59] Critical appreciation came for the music video, whose technical brilliance was awarded at the 1993 MTV Video Music Awards.[60] | |
| "Bye Bye Baby" | Unknown | Live performances from The Girlie Show Tour and the 1993 MTV Video Music Awards.[61] | |
| 1994 | "I'll Remember" | Alek Keshishian[62] | Madonna singing the song in a recording studio, while being supervised by herself in an androgynous look. Interspersed with clips from the movie With Honors.[63] |
| "Secret" | Melodie McDaniel[29] | Black-and-white video featuring Madonna as a blues singer singing in a club. Scenes of rebirth, transvestites and damnation are interspersed with Madonna walking down a street to her home.[15] | |
| "Take a Bow" | Michael Haussman[29] | Madonna portrays the mistress of a Spanish bullfighter. Their affair ends after Madonna is being abused by the fighter. Religious imagery form backbone of the video.[64] | |
| 1995 | "Bedtime Story" | Mark Romanek[29] | A surreal dream sequence arising from some sort of controlled experiment on a prostrate Madonna, lying in a blue spaceship-like room.[65] The production cost of the video was $5 million, making it one of the costliest videos.[66] The video was honored as a permanent collection in New York's Museum of Modern Art in 1996.[67] |
| "Human Nature" | Jean-Baptiste Mondino[29] | Madonna and her dancers in front of a white background, wearing black, PVC catsuits, perform a number of S&M-inspired dance moves.[65] | |
| "I Want You" | Earle Sebastian[29] | The single release was cancelled but the music video was still released. The black-and-white video portrays Madonna waiting for her lover's telephone call.[68] | |
| "You'll See" | Michael Haussman[29] | Sequel to the music video of "Take a Bow". Madonna leaves the bullfighter but he still chases her around the world. Ultimately she sets herself free from him.[65] | |
| 1996 | "Love Don't Live Here Anymore" | Jean-Baptiste Mondino[29] | Single-shot Sepia-colored video showing Madonna in the middle of an empty suite of an abandoned hotel.[69] |
| "You Must Love Me" | Alan Parker[29] | Madonna was pregnant with her daughter Lourdes at the time of shooting the video. Her stomach was hidden behind a piano in the video.[35] | |
| "Don't Cry for Me Argentina" | The music videos for "Don't Cry for Me Argentina" and "Another Suitcase in Another Hall" are excerpts from the film Evita.[35] | ||
| 1997 | "Another Suitcase in Another Hall | ||
| 1998 | "Frozen" | Chris Cunningham[70] | An all-blue video shot in the middle of Mojave Desert. Dressed in black clothing from head to foot, her long hair colored black and straight and mehndi on her hands, Madonna portrays a mystical creature and a witchy persona who sometimes turns into a dog, sometimes into a bird and sometimes levitates from the ground.[70] |
| "Ray of Light" | Jonas Åkerlund[64] | A high-speed video, showing ordinary people doing their daily routines. In between Madonna, dressed in casual jeans and flowing golden hair, dances to the song, ultimately falling asleep on a dance floor. It won the Video of the Year award at the 1998 MTV Video Music Awards.[64][18] | |
| "Drowned World/Substitute for Love" | Walter Stern[57] | Portrays Madonna running away from the paparazzi in a car. After reaching home she takes her daughter in her arms.[57] | |
| "The Power of Good-Bye" | Matthew Rolston[71] | Madonna and her lover play chess, and Madonna wins. After her lover reprimands her, Madonna goes out to the beach and starts walking along the shore, where she possibly commits suicide.[71] | |
| 1999 | "Nothing Really Matters" | Johan Renck[19] | Japanese-themed video, featuring Madonna as a geisha wearing a red kimono and white clad Swedes of Asian heritage performing butoh dance moves.[19] |
| "Beautiful Stranger" | Brett Ratner[72] | Shot for the movie Austin Powers: The Spy Who Shagged Me (1999), the video featured Madonna dancing in a club and actor Mike Myers as Austin Power trying to seduce her; his plan ultimately backfired.[72] |
2000–2009[editar]
| Year | Music video | Director(s) | Notes |
|---|---|---|---|
| 2000 | "American Pie" | Philip Stolzl[73] | Madonna sings the song in front of a giant Flag of the United States. Interspersed with scenes which are characteristic of the American life. Actor Rupert Everett makes an appearance.[73] |
| "Music" | Jonas Åkerlund[74] | Madonna and her friends board a limousine which takes them to a strip-club and disco. The strippers are brought over in the limousine by Madonna and her friends. An animated section is present where Madonna fights with some goons.[74] | |
| "Don't Tell Me" | Jean-Baptiste Mondino[75] | The video shows Madonna walking on a conveyor belt in front of a video screen where cowboys are shown dancing. They join Madonna in front of the screen near the end of the video.[75] | |
| 2001 | "What It Feels Like for a Girl" | Guy Ritchie[21] | Madonna picks up an old woman from an old-age home and speeds down the streets with her in a car. While driving she commits a number of crimes, including theft, destruction of property and murder. The video was banned in the United States for being too violent.[21] |
| 2002 | "Die Another Day" | Traktor[76] | Features a heavily-beat-up Madonna being brought to be executed in a gas chamber. Interspersed with scenes of a white-dressed and black-dressed Madonna sword fighting. In the end Madonna escapes from the execution.[76] The former's video was the second most expensive video, production cost being around $6 million.[22] |
| 2003 | "American Life" | Jonas Åkerlund[77] | Original video showed Madonna among military-garbed models at a fashion show. Interspersed with shots of the catwalk was footage of explosions and planes dropping bombs. The video ends with Madonna throwing what appears to be a grenade into the lap of a George W. Bush lookalike.[77] Western models, wearing military garments are followed on the catwalk by Middle Eastern child victims of war. Madonna had initially claimed that the video was non-specific and anti-war. However, before its premiere on music channels in March 2003, Madonna cancelled the release and issued a statement saying that, "I do not believe that it is appropriate to air it [the video] at this time. Due to the volatile state of the world and out of sensitivity and respect for the armed forces, who I support and pray for, I do not want to risk offending anyone who might misinterpret the meaning of this video."[23] |
| "Hollywood" | Jean-Baptiste Mondino[78] | Madonna portrays some of Hollywood's former actresses and the upheaval of a glamorous life.[78] | |
| "Me Against the Music" (Britney Spears featuring Madonna) | Paul Hunter[79] | Britney Spears and Madonna were present in a club, playing opposite characters with Britney in the dark and Madonna in the white. A cat-and-mouse like chase ensues; Spears catches up to Madonna in the end.[79] | |
| "Love Profusion" | Luc Besson[80] | Madonna walks on the sky and on the water with fairies, fishes, flowers and clouds surrounding her.[80] | |
| 2005 | "Hung Up" | Johan Renck[24] | The video portrays Madonna clad in a pink leotard dancing alone in a ballet studio and concludes at a gaming parlour where she dances with her backup troupe. Interspersed are scenes of people displaying their dancing skills in a variety of settings.[24] |
| 2006 | "Sorry" | Jamie King[81] | A continuation from the "Hung Up" music video. Madonna and her troupe go around the town in a white van and dance in a skating arena.[81] |
| "Get Together" | Logan[82] | The video showed Madonna singing the song among graphical visuals portraying volcanoes erupting and a cityscape.[82] | |
| "Jump" | Jonas Åkerlund[83] | The video features Madonna in a blond bob wig and singing the song in front of several neon signs. The video also features dancers performing the physical discipline parkour.[83] | |
| 2008 | "4 Minutes" (featuring Justin Timberlake) | Jonas & François[25] | Madonna and Timberlake sing and run away from a giant black screen that devours everything in its path. At the end of the video, Madonna and Timberlake are consumed by the screen.[25] |
| "Give It 2 Me" | Tom Munro, Nathan Rissman[84] |
Madonna in retro-makeup look dancing in a photography studio in various garments. Cameo appearance by Pharrell Williams.[84] | |
| "Miles Away" | Nathan Rissman[85] | Live footage from the Sticky & Sweet Tour in Buenos Aires, mostly footage of the fans and stadium before and during the show. Originally unreleased, but finally included on the Celebration: The Video Collection DVD.[85] | |
| 2009 | "Celebration" | Jonas Akerlund[26] | A simple dance video featuring Madonna and her dancers doing the popping and locking style of dancing against black-and-white backgrounds.[26] |
DVDs en vivo[editar]
| Year | Video details | Notes |
|---|---|---|
| 1985 | Live – The Virgin Tour
|
|
| 1987 | Who's That Girl – Live in Japan
|
|
| 1988 | Ciao, Italia! – Live from Italy
|
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| 1990 | Blond Ambition – Japan Tour 90
|
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| 1990 | Live! – Blond Ambition World Tour 90
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| 1994 | The Girlie Show – Live Down Under
|
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| 2001 | Drowned World Tour 2001
|
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| 2007 | The Confessions Tour
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| 2010 | Sticky & Sweet Tour
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Compilaciones de vídeo[editar]
| Año | Información general | Descripción |
|---|---|---|
| 1985 | Madonna
|
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| 1990 | The Immaculate Collection
|
|
| 1999 | The Video Collection 93:99
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| 2009 | Celebration: The Video Collection
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Documentales[editar]
| Año | Información general | Descripción |
|---|---|---|
| 1991 | Truth or Dare en la cama con Madonna |
|
| 2006 | I'm Going to Tell You a Secret
|
|
Video en formato single[editar]
Los videos en formato single (o sencillo), son DVDs (o VHS dependiendo del caso) en el que están incluido el vídeo, con un remix del vídeo y una presentación en vivo, o en ocasiones solo el vídeo oficial.
| Year | Video details | Notes |
|---|---|---|
| 1991 | "Justify My Love"
|
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| 1998 | "Ray of Light"
|
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| 2000 | "Music"
|
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| 2001 | "What It Feels Like for a Girl"
|
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Videos Musicales Internacionales Y Lanzamientos En DVD[editar]
| Año | Título | Información | Formato | Produjo |
|---|---|---|---|---|
| 1984 | Madonna |
Video EP con cuatro pistas | VHS | Sire/Warner Bros./ Warner Music Video |
| 1985 | Live-The Virgin Tour | En vivo desde Detroit, USA 1985 | VHS Laserdisc |
Sire/Warner Bros./ Warner Music Video |
| 1987 | It's That Girl | Compilación para promoción del Who's That Girl Tour solo disponible en Gran Bretaña | VHS Promo | Sire/WEA Records UK/ Warner Music Video |
| 1987 | Who's That Girl - Live In Japan | Edición especial japonesa, en vivo desde Tokio, Japón 1987 | VHS Laserdisc |
Sire/Warner Bros./ Mitsubushi |
| 1988 | Ciao Italia! | En vivo desde Turín, Italia 1987 | VHS Laserdisc DVD |
Sire/Warner Bros./ Warner Reprise Video |
| 1990 | She's Breathless | Edición británica para promover el Blond Ambition World Tour | VHS Promo | Sire/WEA Records UK/ Warner Reprise Video |
| 1990 | Blond Ambition - Japan Tour '90 | Lanzamiento exclusivo japonés, en vivo desde Yokohama, Japón 1990 | VHS Laserdisc |
Sire/Warner Bros/ Warner-Pioneer Japan |
| 1990 | Blond Ambition World Tour 1990 - Live | Lanzamiento exclusivo de Pionner, en vivo desde Nice, Francia 1990 | Laserdisc | Sire/Warner Bros/ Pioneer Artists |
| 1990 | The Immaculate Collection | Copilatorio de Grandes Hits de 1983 a 1990 | VHS Laserdisc VCD/DVD |
Sire/Warner Bros/ Warner Music Vision |
| 1990 | Justify My Love | Versión europea de Video-Single Vogue - de los MTV Video Music Awards | VHS | Sire/Warner Bros/ Warner Music Vision |
| 1991 | Truth or Dare/En La Cama Con Madonna | Documental de la gira Blond Ambition World Tour 1990 | VHS Laserdisc VCD/DVD |
MGM Entertainment Artisan Entertainment (US) |
| 1994 | The Girlie Show - Live Down Under | En vivo desde Sydney, Australia 1993 | VHS Laserdisc VCD/DVD |
Maverick/Sire/Warner Bros/ Warner Music Vision |
| 1998 | Ray of Light | Single Edición Limitada en VHS | VHS | Maverick/Warner Bros/ Warner Music Vision |
| 1999 | The Video Collection 93:99 | Compilación de Grandes Hits de 1993 a 1999 | VHS VCD/DVD |
Maverick/Warner Bros/ Warner Music Vision |
| 2000 | The Madonna Collection | Box-Set de los lanzamientos de Live - The Virgin Tour, The Immaculate Collection y The Girlie Show - Live Down Under | VHS | Maverick/Warner Bros/ Warner Music Vision |
| 2000 | Music | Single en DVD con dos versiones del vídeo | DVD | Maverick/Warner Bros/ Warner Music Vision |
| 2000 | The Ultimate Collection | Box-Set de los recopilatorios The Immaculate Collection y The Video Collection 93:99 | VHS DVD |
Maverick/Warner Bros/ Warner Music Vision |
| 2001 | Don't Tell Me | Video promocional del US CD Maxi-Single | CD | Maverick/Warner Bros |
| 2001 | What It Feels Like for a Girl | Video Single con remixes exclusivos | VHS DVD |
Maverick/Warner Bros |
| 2001 | Music (Edición Especial) | Edición especial de dos CDs con el vídeo What It Feels Like For A Girl y 5 remixes | CD | Maverick/Warner Bros |
| 2001 | Drowned World Tour 2001 | En vivo desde Detroit, USA 2001 | VHS DVD |
Maverick/Warner Bros/ Warner Music Vision |
| 2005 | Blond Ambition Tour 1990 | Lanzamiento exclusivo en Alemania, en vivo desde Houston, USA 1990 | DVD | Falcon Neue Medien |
| 2006 | I'm Going to Tell You a Secret | Documental de la gira Re-Invention World Tour 2004 | DVD+CD CD+DVD Descarga Digital |
Warner Bros/ Warner Music Vision |
| 2006 | Confessions on a Dance Floor (Japanese Exclusive) |
Edición japonesa de los vídeos y la realización de Hung Up y Sorry | CD+DVD | Warner Bros./ Warner Music Japan |
| 2007 | The Confessions Tour | En vivo desde Londres, Inglaterra 2006 | DVD+CD DVD Descarga Digital |
Warner Bros./ Warner Music Vision |
| 2009 | Celebration: The Video Collection | DVD copilatorio de hits 1983 a 2009 | Doble DVD | Warner Bros./ Warner Music Vision |
| 2009 | Sticky And Sweet: Live in Argentina | En vivo desde Buenos Aires, Argentina 2008 | DVD Descarga Digital ( Blackberry ) |
Warner Bros./ Warner Music Vision |
Referencias[editar]
- ↑ Caulfield, Keith (18 de marzo de 2009). «Madonna Plans New Tracks For Hits Collection». Billboard (Nielsen Business Media, Inc). Consultado el 21 de agosto de 2009.
- ↑ a b Cross, 2007, p. 26
- ↑ Cross, 2007, p. 30
- ↑ Cross, 2007, p. 32
- ↑ Guilbert, 2002, p. 42
- ↑ Metz y Benson, 1999, p. 50
- ↑ Clerk, 2002, p. 99
- ↑ Fouz-Hernández y Jarman-Ivens, 2004, p. 67
- ↑ a b Hand, John (5 de marzo de 2009). «Madonna's banned advert». BBC (BBC Online). Consultado el 16 de diciembre de 2009.
- ↑ Taraborrelli, 2002, p. 56
- ↑ a b Cagle, Jess (4 de mayo de 1990). «What, me vogue?». Entertainment Weekly (Time Inc.). Consultado el 8 de diciembre de 2009.
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